COPYRIGHTS AND RESTRICTIONS AND CONDITIONS OF THIS WEBSITE

 

ROBERT RAUSCHENBERG • Works on Metal

Gagosian Gallery, Beverly Hills, CA
November 1st - December 13th, 2014

 

 

Few Fine Art galleries can invest their time curating collections of art that look backward. Careers need to be molded. Bills need to be paid. Overall, it’s not cost effective to spotlight a non-living artist in a way like a museum would where someone curates a portion of a Fine Artist’s body-of-work and finds a way to apply a narrative that is newly relevant.

 

However, the Gagosian Gallery is not most galleries.

 

Often shaming the curatorial-thinking retailed at other galleries and museums in Los Angeles, the Gagosian Gallery Beverly Hills is known for walking a fine line between presenting Fine Art Angelinos will take the time to understand and educating a populous so focused on the one industry that defines the town that that thinking outside of their own experience seems to ‘hurt them’ in ways that don't normally affect a metropolis of this size.

 

It’s a delicate balance and the current exhibition of art from Combine artist Robert Rauschenberg at the Gagosian is one of these shows.

 

Not new, actually decades old, the current exhibition at the Gagosian Beverly Hills hosts a collection of Rauschenberg’s works created using metal components. Nostalgic, poetic, somber, formal and yet casual in the way they’re collaged, these works by Rauschenberg are from the 80s and 90s. Assembled by way of paint on metallic substrates, these works include urban vestiges and manufactured elements. The result feels worn and warm, and familiar and textured and spacial, and their influence on the Fine Art being made by other artists during the last ten years is obvious.

 

About his work, Robert Rauschenberg was quoted as having said “I like seeing people using materials that one’s not accustomed to seeing in art. That has a particular value. New materials have fresh associations, physical properties and qualities that have built into them the possibility of forcing you or helping you do something else.”

 

 

 

 

Rorbert Rauschenberg • Works on Metal was on display at the Gagosian Gallery, Beverly Hills, CA
from November 1st through December 13th, 2014.

 

All artwork by Robert Rauschenberg

© Robert Rauschenberg Foundation

Courtesy of Gagosian Gallery

 

 

Review is © Ron Barbagallo 2014

ROBERT RAUSCHENBERG • WORKS ON METAL

© 2014 Ron Barbagallo

All Artwork © Robert Rauschenberg, Robert Rauschenberg Foundation

All images are:
© The Robert Rauschenberg Foundation. ALL RIGHTS RESERVED.

 

The author would like to thank Alexandra Magnuson, Gagosian Gallery, Beverly Hills, California for her help in assembling this work.

 

This review is owned by © Ron Barbagallo.

ALL RIGHTS RESERVED. You may not quote or copy from this article without written permission.

 

 

YOUR USE OF THIS WEBSITE IMPLIES YOU HAVE READ AND AGREE TO THE "COPYRIGHT AND RESTRICTIONS/TERMS AND CONDITIONS" OF THIS WEBSITE DETAILED IN THE LINK BELOW:

 

LEGAL COPYRIGHTS AND RESTRICTIONS / TERMS AND CONDITIONS OF USE

 

INSTRUCTIONS ON HOW TO QUOTE FROM THE WRITING ON THIS WEBSITE CAN BE FOUND AT THIS LINK.

 

PLEASE DO NOT COPY THE JPEGS IN ANY FORM OR COPY ANY LINKS TO MY HOST PROVIDER. ANY THEFTS OF ART DETECTED VIA MY HOST PROVIDER WILL BE REPORTED TO THE WALT DISNEY COMPANY, WARNER BROS. OR OTHER LICENSING DEPARTMENTS.

 

 

 

ARTICLES ON AESTHETICS IN ANIMATION

BY RON BARBAGALLO:

 

The Art of Making Pixar's Ratatouille is revealed by way of an introductory article followed by interviews with production designer Harley Jessup, director of photography/lighting Sharon Calahan and the film's writer/director Brad Bird.

 

Design with a Purpose, an interview with Ralph Eggleston uses production art from Wall-E to illustrate the production design of Pixar's cautionary tale of a robot on a futuristic Earth.

 

Shedding Light on the Little Matchgirl traces the path director Roger Allers and the Disney Studio took in adapting the Hans Christian Andersen story to animation.

 

The Destiny of Dalí's Destino, in 1946, Walt Disney invited Salvador Dalí to create an animated short based upon his surrealist art. This writing illustrates how this short got started and tells the story of the film's aesthetic.

 

A Blade Of Grass is a tour through the aesthetics of 2D background painting at the Disney Studio from 1928 through 1942.

 

Lorenzo, director / production designer Mike Gabriel created a visual tour de force in this Academy Award® nominated Disney short. This article chronicles how the short was made and includes an interview with Mike Gabriel.

 

Tim Burton's Corpse Bride, an interview with Graham G. Maiden's narrates the process involved with taking Tim Burton's concept art and translating Tim's sketches and paintings into fully articulated stop motion puppets.

 

Wallace & Gromit: The Curse Of The Were-Rabbit, in an interview exclusive to this web site, Nick Park speaks about his influences, on how he uses drawing to tell a story and tells us what it was like to bring Wallace and Gromit to the big screen.

 

 

For a complete list of PUBLISHED WORK AND WRITINGS by Ron Barbagallo,

click on the link above and scroll down.